In APES**T, The Raft of the Medusa is above Jay Z as he brutally slams any sort of data the Grammys has with ticket sales. AND HOW! The Louvre is such a permanent staple of art and Western European historical and cultural narrative, it’d make some RIGHTEOUS WAVES for the most nonchalant takeover for OTR III.
This painting is textbook France Romanticism, but its subject is a dumpster fire narrative (a bunch of people died after a boat sank, and this haphazard raft nearly sinks in its aftermath). What’s more, Gericault didn’t even get commissioned to create the work. Is there a connection between discredited/disproportionately compensated artists and their message of conspicuous consumption by flailing and failing organizations?
Maybe, but I think the comparison (invented wins vs. selling out vs. selling out for invented wins) is really interesting.
Other musings: TUN will play on Alexa Spotify long after your phone dies. My hair’s a miracle in this blowout pony. I’d show you but…dead phone, remember?